Now, I bring it to SuperRadDad in the form of quick and dirty reviews because, well, because I barely have enough time to maintain a blog, let alone create voluminous content.
So here it is, the inaugural Top2Bottom list for "Tron: Legacy."
Top
3. It's PG
I actually didn't realize that the film was PG until I sat through the entire credits and the MPAA came on at the end. I thought surely for a movie that was so high budget, so visually dark, that it would have garnered a PG-13 rating, but kudos to Disney for making a film that had virtually no cursing (I think a 'damn' showed up at one point), intense fighting and action, and heady subtext while making a film that a family of geeks could enjoy together.
2. It's so Tron.
As visually stunning now as it was in 1982, "Tron: Legacy" has all of the eye-popping visuals fans would want to see. The updated set and costume design feels timeless and delicately side-steps the inevitable "Matrix" Comparisons. Even the much-poo-pooed CGI of young Jeff Bridges works for me, though that uncanny valley can be a little off-putting. Neon? Check. Deadly Discs
1. The Score.
"Daft Punk's" score is incredible, original, and unparalleled. Not only are they a fanboy's dream in terms of composers for the "Tron" soundtrack, but it might be one of the most perfect scores to a film ever. Making the music a character itself.
Bottom
3. It's so Tron.
Despite my love and fond memories for the '82 film
2. It's so Tron.
Because of its 28 year hiatus, "Legacy" has to re-explain its universe and rules for a whole new generation who has no knowledge of the original film, or for those who have completely forgotten it. It's attempt to bridge the gap between the two films is a blessing and a curse - its continuity pleases die-hard fans, but there's a lot of story to get through that doesn't mean a whole lot for the basic "Where is Flynn" premise. It might have been better to split the movie up into two parts - one taking place in 1989 covering the takeover of the Grid and Flynn's exile; and the sequel taking place in 2010 of Sean's search for his father.
1. It's so Tron.
A myriad of subtext and allegorical potential to expound on in the Tron universe and "Legacy" wastes the opportunity to explore any of it. Civil Rights issues between Isos and Programs; What does it mean to be a Program; Is there such thing as a User; Are Users interested in the Programs they create or have the Users lost interest in The Grid; If Clu is Adam, then isn't Sean Flynn the Messiah; and finally, Is this all in Flynn's mind? So much potential for depth, but always wading in from the shallow end.
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